There’s a commonly deployed fairy tale where a person is put under a spell that causes them to fall in love with the next person (or creature) that they meet. The concept is entertaining, but it also suggests a truth in the human psyche; that there are things that can occur within us that ripen our receptivity to romance. It is with some caution then, that we urge you to listen to Spyglass, an album made up entirely of waltzes.
Rodney Miller is in his fourth decade as a recording artist, and has for some time enjoyed residence in the pantheon of contra dance fiddlers. His previous albums are fairly distinct from each other while maintaining a common thread of being comprised of solid dance tunes; well-chosen blends of jigs and reels, and the occasional waltz. It requires both creativity and confidence to produce a recording that does not deviate from ¾ time.
Elvie Miller, his daughter, may have a genetic blessing on her musical abilities, but it still takes considerable effort to make music sound so effortless. One cannot say that she “accompanies” her father on piano and accordion; her playing provides an equal partnership (indeed she is even heard in a 2:1 ratio in several places, multi-tracking both instruments). Her playing exudes a steady strength while frequently venturing into the ethereal. Continue reading »