Sunday, September 21st
Nelson Town Hall
Admission $15/$12 (youth, senior)
Libana performances open windows into diverse, rarely heard, women’s musical expressions from around the world. Their music ranges from exquisite Balkan harmonies to the rooted pulses of Latin American rhythms, from hauntingly beautiful sounds of Slav music from Hungary to a riveting ritual exorcism dance with percussion from Egypt – all woven into a collage of shifting colors and rhythms.
Founded in 1979 by director Susan Robbins, Libana is a six woman ensemble that has toured extensively throughout North America and Canada, and in 1996, made their European debut at the Varna International Folk Festival in Bulgaria. Other recent festival appearances include the Britt Festival in Medford, Oregon, the Philadelphia Folk Festival, the Coup de Coeur Francophone Festival in Montreal, and Clearwater’s Hudson River Revival in New York.
Join LIBANA for an evening of celebration and experience the ensemble which presents traditional and contemporary world music and dance from a uniquely women’s perspective.
Five fiddlers, 2 guitarists, an accordionist, and a flute player gathered at J.D. McCliment’s Pub in Putney, Vermont, on a cool September evening recently. In addition to all of us being resident in the Connecticut River valley, we shared a love of Irish traditional music. We were attending the weekly Wednesday night Irish session to play jigs and reels, reacquaint as friends, meet new musicians, and share stories.
The Morning Star/Lady Ann Montgomery
The Long Drop/The Earl’s Chair
Leading our group this night were Lissa Schneckenburger on fiddle and Corey DiMario on tenor guitar. Lissa set the tone with a choice selection of tunes played at a relaxed pace. Irish reels can be very exciting when played at break-neck or dance-tempo speed, but the lovely soul of a tune is best revealed at more moderate tempos when the lift of a phrase and the ornamentation of melody can easily be heard. A pleasure for listener and player alike. Corey’s chording on the 4-string guitar followed the melody very closely, a hallmark of good Irish accompaniment, and each tune was given its due with numerous repetitions. Read more
The Rhythm Rollers are a west coast band, but with a special attachment to New England contra dance music, and notably (pun intended) for the “piano playing of Bob McQuillen, the tunes he has written, his relentless encouragement, and his jokes.”
Their new recording, Grand Right and Left, features none other than the man himself on the ivories, Cathie Whitesides on fiddle, Laurie Andres, accordion, and WB Reid on banjo-guitar (that would be a guitar in a banjo body), regular guitar, and fiddle.
Joy Abounds! Of course it’s impossible to hear McQuillen playing the piano without cracking a smile that invokes awareness of some higher power. But two additional components stand out on this recording. Laurie’s accordion playing gets right to the point. Read more