Orange Earth Productions Presents
Acoustic Sundays at Armadillo’s Burritos
82 Main Street, Keene
Music that tells stories that grow out of the rich historical and cultural landscape that is America;
from Appalachia to the Delta to destinations unknown.
Advanced Tickets $15
Student Tickets w/ID $12
Day of Show Tickets $18
Doors Open 5pm
Show Begins 6pm
Meg Hutchinson is an award-winning songwriter who artfully documents the human condition. With a poet’s ease, she makes the personal universal, allowing people’s stories to come alive through her unique vocals and haunting melodies. Since the release of her Red House Records debut COME UP FULL, she has won high praise for her songwriting and has been featured nationally on NPR Music, XM/Sirius Radio and several times on the syndicated show Mountain Stage. Publications like The Winnipeg Free Press have compared her songwriting with that of veterans Dar Williams, Mary Chapin Carpenter and Joni Mitchell.
Growing up in the Berkshire Mountains of Western Massachusetts, the woods and ponds were her childhood muses, as were songwriters like Greg Brown and Joni Mitchell, and poets like Mary Oliver, William Stafford, William Butler Yeats, T. S. Eliot and Robert Frost. When Hutchinson inherited her grandmother’s 1957 Martin guitar at age eleven, her love of words found an inspiring instrument, and there was no turning back. “Songwriting is not something I chose, I’ve just somehow always known that this is what I love to do. This is what I can’t help but do,” she says.
After graduating from college with a degree in creative writing, Hutchinson quit her longtime job on an organic lettuce farm and settled in Boston. In between gigs at pubs, coffeehouses and train stations, she won a Kerrville New Folk Award (2000) and was nominated for a Boston Music Award for her first studio album AGAINST THE GREY.
She went on to win awards at the Rocky Mountain Folks Fest, the Telluride Troubadour Songwriter’s Showcase in Colorado and The Chris Austin Songwriting Contest at Merlefest in North Carolina, all in the course of a year, causing national publications like Performing Songwriter to take notice, calling her “A master of introspective ballads filled with understated yearning and an exquisite sense of metaphor.” She quickly became an integral part of the vibrant Boston songwriting community. Like every great performer who has come out of the Boston scene, Hutchinson took to the subway, performing in Park Street, Downtown Crossing and Davis Square stations–honing her chops in the same method of predecessors like Martin Sexton, John Mayer, Paula Cole and Tracy Chapman